DIVIDE LINE & TONE
Learn to how to divide a drawing into easy sections - and then divide it again into separate Line and Tone layers. By breaking everything down into manageable parts you greatly increase your involvement and understanding of each area. Mike explains how to analyse each section, before you commence drawing, so you draw what know
rather than just what you can see. It promotes a natural and realistic result.
This in-depth video, containing two demonstrations, explains how separating Line from Tone benefits both. Line describes edges and detail; Tone describes three-dimensional form; separate them to greatly increase your understanding of each. As a bonus, the Tone layer can be adjusted without affecting the Line layer beneath, which offers great flexibility. Mike offers a lot of practical drawing advice too.
WHAT YOU GET...
A quick recap of the divisions discussed in "Divide and Conquer". Then any of those divisions can be broken down again by dividing Line work from Tonal Shading.
The concept explained
Having broken a drawing down into its individual elements, it can further simplified by dividing Line from Tone. Dividing them aids ease and understanding.
Line and Tone explained
Line describes edges and boundaries; Tone describes three-dimensional shaping. Mike explains why concentrating on them individually both simplifies and improves the overall combined result.
Line and Tone in Layers
Mike takes a small drawing of a Grizzly Bear and shows how it was constructed. Line first, to create the texture and layering of the hair. And then tone to add the three-dimensional shaping.
Mike demonstrates how dividing the line and tone layers allows concentration on each without the distraction of the other, which greatly simplifies the process.
Division by Section and Layer
How dividing the work into sections, and then dividing those sections into line and tone layers further simplifies drawing.
Division by Section
Using a dog's nose, Mike explains how to separate the area into suitable sections. The base can be broken down into at least seven sections, and the top into at least eight. Then each of those will divide by line and tone.
Understanding is vital...
you are about to draw. Understanding the section before drawing commences is essential. Mike walks you through the process, so you can build up a three-dimensional mental picture.
Mike begins work on the nose, basing it on his mental image rather than a reference. First the detail is created with line. Normally, Mike would fully complete this section but, for this video, he applies line to whole nose.
Advice and assistance...
While drawing, Mike offers advice on the drawing process. Problems to avoid; things you needn't worry about; injecting life into the texture and form; and general drawing advice too.
Adding the tone layer
Mike begins to add the Tone layer, which describes the lighting and three-dimensional form, on top of the Line layer. He recommends using the flat face of a chisel point and explains why.
Adjusting the tone layer
Mike demonstrates how to adjust the Tone layer without disturbing the Line layer beneath it. This offers unparalleled opportunities to fine-tune values, and create very subtle detail.
Mike explains why working on an entire area at one time might work in some situations, but it's not ideal if you want to create a true sense of reality. Instead, break it down and immerse yourself in each section.